CONSTELLATIONS is a series of video collages made by Adriano Vessichelli.
A game of ambiguity that uses the horoscope as a means of interpretation.

Looking at the stars to discover yourself.





Below here a little making of the final composition for Arius.
 






Credits:
Director/ Animator: Adriano Vessichelli
roducer : Jack
Film Credits
Shot by Sybil Calligaris in collaboration with Marco Fregonese and Manuel Gereon.
Performance by “Il Cinese Volante”.
Music and sound design by Marian Mentrup and Cristiano Norbedo.

AWARDS
Official Selection  - Cinestesis Film Festival
Official Selection  - Almaty Underground Screening Series 2024.

Official Selection - BEST EXPERIMENTAL - Viborg Animation Festival 2024.


Official music video album "ORO" by Maurytanja.








Credits:
Director/ Animator: Adriano Vessichelli
roducer : Jack
Film Credits
Directed by Adriano Vessichelli
Editing by Adriano Vessichelli
Animation and compositing by:
Adriano Vessichelli
Giacomo Bompan - www.goodbread.com

Video sources:
Cineteca del Friuli
Archivio Vitrotti
Archivio Centrale dello Stato
Footageforpro.com
TGR - FVG
British Pathé

Music by Maurytanja, perfomed by Murytanja.

AWARDS
Horable metions  - Berlin Music Video Awards 2024
 

AARDS


In the mist of memories I wait for peace, and you what are you waiting for?




With over 500 handmade drawings, below here a little making of the film.



ù

The film is available for screening and exhibitions.






Credits:
Director/ Animator: Adriano Vessichelli
roducer : Jack
Film Credits
Written and directed by Adriano Vessichelli
Story supervisor by Alfonso Pontillo
Original score music by Marco Messina and Sacha Ricci
Sound design by Marian Mentrup
3D modelling and animation by Alfonso Pontillo
Animation and Compositing by Adriano Vessichelli
Editing by Adriano Vessichelli
Final mixing by Macofilm Venice www.macofilm.com

Honors and mentions:
Winner  - BIFF Boden International FIlm Festival - Sweden 2022
Official Selection - KFFSS Kursaal Film Festival San Sebastian - Spain 2022
Official Selection - ICONA Ionian Contemporary Animation Festival - Greece 2022
Official Selection - Marathon Animation - Greece 2022
Official Selection - Versi di Luce Gela - Italy 2022
Official Selection - Valencia Indie Film Festival - Spain 2022
Official Selection - The Paus Premieres Festival - Online TV 2022
Official Selection - Napoli FIlm Festival - Italy 2022
Award Merit - Vegas Movie Awards - USA 2022
Official Selection - AJAYU Festival Internacional de animación Ajayu - Perù 2022
Official Selection - Film in Focus  - Online Festival 2022
Official Selection - Moscow Indie Film Festival - Russia 2022
Montly Winner - PRISMA Rome Indipendent Film Awards - Italy 2022
Official Selection - FICNOR Festival International de cine de Norte de Santander - Spain 2022
Official Selection - ANIMARE Licata Animation FIlm Festival - Italy 2022
Official Selection -  CIFF CineMaking International FIlm Festival - Bangladesh 2022
Official Selection - REX Animation Film Festival - Sweden 2022 
Finalist - Accordi@DISACCORDI International Film Festival - Italy 2022
Official Selection - PFA Piccolo Festival Animazione - Italy 2022
Official Selection - BSFF Bucharest ShortCut Film Fest - Romania 2022
Official Selection - ADAF Athens Digital Arts Festival - Greece 2023
Official Selection - Festival del Cinema di Cefalù - Italy 2023
Finalist - AniMate Australia Animation FIlm Festival - Australia 2023 
Official Selection - Anibar Animation Festival - Kosovo 2023
Official Selection - Athens Anifest - Greece 2023
Official Selection - PSAF Palm Spring Animation Festival & Expo - USA 2023 
Official Screening - ANNY Animation Nights New York - USA 2024
 

AARDS

Distinguished Portraits are digital interventions of historical portrait paintings. They are digital works. I cover the protagonists faces using naturalistic elements. Taking into account the special characteristics of the painting, I transform the individual identities of the painting itself. I replace the original human features with the ones of fruits or plants, by doing so I try to incorporate a contemporary discourse on nature and society into historical paintings. The Distinguished Portraits are a contemporary view on art history introducing a simple question to the equation, what if nature would have been at the centre of our conversations throughout history? By giving a human resemblance to nature’s elements I want to debate the anthropocentric view of our current society underlining the importance of plants in our everyday life. The experiments serve as reminder of a simple fact, plants account up to 85% of the biomass present on planet earth, we, the humans including the animals, represent only the 0.3% (source “La pianta del mondo” by Stefano Mancuso). Maybe we could reconsider our importance and priorities in the world.




A

Original paintings
Arciduca Ferdinando Massimiliano I by Winterhalter Franz Xavier, 1857
Admiral Horatio Nelson by John Francis Rigaud, 1781
Madame X by John Singer Sargent, 1884
Henry VIII by Hans Holbein, 1543
Pope Pio VI by Pompeo Batoni, 1804
Marie Antoinette by Elisabeth Vigée-Lebrun, 1783


GRADIENTS is an experiment that intends to merge the analogical vision of the finest artists with the contemporary world and its digital language through an element that often occurs as a glitch, the gradient. In this attempt the idea is to render the well known protagonists of the paintings to a mass of stains, blurs and patches, resulting in a synthesis of its original image like the one apperaring in the second half of the 19th century in Italy in the artistic movement of the Macchiaioli. Beside the game of guessing who’s hiding behind the glitches the idea is to introduce the contemporary digital view within the realm of fine arts.




A

Original paintings
New York interior, Edward Hopper, 1921
Fanciullo con canestro di frutta, Caravaggio, 1593
Dama con Ermellino, Leonardo Da Vinci, 1498
Girl with a Pearl Earring, Johannes Vermeer, 1665
Die Windsbraut, Oskar Kokoschka, 1913
Giuditta che decapita Oloferne, Artemisia Gentileschi, 1612
Man in a Sports Shirt, Lucian Freud, 1982


©Adriano Vessichelli 2026 
contact@adrianovessichelli.com

conp.IVA: 01355830322